Accidente

Date: 1934

Medium: Woodcut

Dimensions (cm.): 14.2 x 9.6

Alternate titles: El accidente; Accidente de trabajo; Obrero cayendo

Published edition: 

Contemporary publication: Unknown

References: Exposición de Homenaje 327;  Méndez INBA 46, included in Prignitz 402-426

Commentary: Méndez created El accidente in 1934, the year he and other artists and writers formed the Liga de Escritores y Artistas Revolucionarios (LEAR). At this time, Méndez was addressing himself increasingly to the subject of the Mexican worker. He and Pablo O’Higgins, also a founder of both LEAR and the TGP, and Méndez’s closest friend and artistic collaborator for many years, expressed their obrerismo (pro-labor stance) in prints and murals throughout their time in LEAR, and they both continued to focus on the workers of Mexico after they established the TGP in 1937. 

Accidente speaks to the high price of industrialization and the inequities of the oil industry in Mexico before the nationalization of Mexico’s petroleum fields in 1938. The woodcut depicts a worker falling upside down from an oil derrick. Below, the structure is surrounded by signs of industry: a stack of metal pipe, a boiler, and a platform beneath a ladder-like form, and a figure in a hard hat waves his arms in alarm. The print suggests a secular martyrdom – the worker’s body against the struts of the derrick is reminiscent of a crucifixion, and Méndez’s intended message seems to be that in Mexico industrial working conditions sacrifice workers to the interests of capitalism and big business, a condition to be overcome by unionization. (Deborah Caplow)

Catalogue record number: 342